Runners-up: The Case for Christ, The Resurrection of Gavin Stone, Let There Be Light Reader’s Choice Movie of the Year: A Question of Faith Runners-up: Altar Egos, Because of Gracia, The Resurrection of Gavin Stone Staff Choice Movie of the Year: The Case for Christ At Box Office Revolution, we believe it is our prerogative to annually recognize those movie makers and players who have the ability to bring revolution to Christian entertainment. Films are separated into roughly three groups: the truly talented, the potentially great, and the others. Writers and directors showcase their creativity. It’s definitely possible that holiday films are more likely to be viewed, so why not give the watchers something to remember rather than forget?Įvery year, movies are released and cast members show off their talents. In the end, this screenplay is likely to fall into the same bin with other forgettable Christmas offerings that clamor for the attention of audiences. Movies like Saving Santaland are neither bad enough to be remembered nor good enough to be upheld. In the end, this mixed bag caps off an mostly underwhelming effort. Some scenes are more dramatic than others, but it’s not all bad. Line delivery and emotions are overall inconsistent. At times, the acting is professional while other times, it isn’t. Overall, there is some potential in this section, but the contrived nature of the narrative and the lack of strong characters holds it back from being all that it could be.ĭue to the back and forth nature of this section, the final score comes out as average. The middle of the plot wastes a lot of time, seemingly kicking the can down the road, and a few sequences seem too staged and forced to exist. At times, things happen simply because the writers want them to, and convenient turns transpire simply to suit the story’s purposes. The tongue-in-cheek comedy is sometimes funny and sometimes not. Though the often-expository dialogue leaves a lot to be desired, there’s actually a basic narrative focus, including obvious themes albeit slightly juvenile ones. Surprisingly, this plot begins with good attempts to develop character motive via a flashback prologue. Nonetheless, there’s some improvement as the film goes on, but it’s still just run-of-the-mill. Editing is quite choppy as some scenes cut off prematurely. The generic soundtrack is sometimes too obvious for the situations it’s played in. However, camera work is randomly shaky at times. Video and audio quality are good, and sets, locations, and props are acceptable. In seeing him again, what Belle finds is unexpected.ĭespite being average, The Farmer and the Belle isn’t quite good enough for a 2020 production. However, when she returns, she once again crosses paths with the pen pal she thought forgot about her. Thus, she decides to revisit a place from her childhood to find the secret to true beauty, which she believes was found on a bracelet she left behind. Belle Winters is a model who’s been told that she’s aging out of the business.
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